Cow House Studios

Cow House Studios

Why choose Cow House Studios?

Situated on the O’Gorman family farm, Cow House Studios is a school and residency set in rural County Wexford, Ireland. The long-term project of artists Rosie O’Gorman and Frank Abruzzese, 180 acres of pasture and forestry, provide meaningful connections with the culture and landscape of our mountainside community while facilitating multidisciplinary practices for residency artists and students. Underpinning our programs is a shared commitment to the enriched possibilities of cross-cultural learning and creative exchange.

Apply for a Scholarship!

Founded
2008

Scholarships

Woman sitting on stool in front of easel with paintbrush

Cow House Studios Gap & Summer Scholarships

Cow House Studios offer several scholarship opportunities for both our summer program Art on the Farm and our gap year program FieldWorks. All scholarship applicants must submit a portfolio that demonstrates an advanced practice. We assess student portfolios by determining how the realization of completed artworks reflects a young artist’s curiosities, concerns, experience, and research. You can read more about these opportunities and the application process on our website.

Value
$1,300 - $12,950

Reviews

Melissa
5/5
Yes, I recommend this program

Well Rounded Experience of a Lifetime

The warmth, care, and expertise of the staff and faculty are wonderful. Our daughter's experience was deeply meaningful, full of joy & fun, grew her artistic skill set (and portfolio!, which we had underestimated and it resulted in a significant scholarship to a design school), as well as her independence and cultural exposure. The team holds space for the students to find their own way & to get out of it what they put into it -- that's an invaluable lesson at this life stage.

The space and surroundings are comfortable, cozy, and safe -- it feels like staying with close family friends. The fresh baked bread, thoughtfully home cooked meals (prepared by the lovely & hilarious Dee who felt like a true Auntie), and morning exercise option (led with encouragement & care by Frank) all helped to keep our daughter's health in balance.
The program folds its participants into the community, from the grandparents that reside next door, to the local children that come in for occasional workshops & events), to dinner at Rosie & Frank's house just down the way.

The weekend trips all over Ireland are a huge plus, and every stop is thoughtfully curated, and even adjusted as needed in response to weather or other factors. Stops covered countless galleries & museums, as well as a lighthouse, cultural landmarks, local small businesses & community venues, and hostel stay experiences, all of which combine for a super well rounded semester.

All supplies are included, which is significant, and our daughter was thrilled at the range of materials & equipment on hand (especially the unlimited film!). The guidance & critique are gentle while fostering confidence and encouraging growth. There's nicely done accountability in terms of rotating weekly chores and attending studio, done in a way that requires self-direction & building adulting skills.

Her experience felt like being with extended family, which gave us major peace of mind and left her with life-long treasured memories. Each cohort has a unique experience, based on the alchemy of that year's group – so it's truly a one of a kind community each time, which is just one more special aspect of this immersive, robust, and beautiful program!

What was your funniest moment?
There was so much laughter, it would be hard to choose one moment!
Every time we heard from our daughter, whether on facetime or in photos/videos -- there were smiles, stories, and many silly tales from her day or week.
The sincere joy of the experience was constant, whether it was from encounters at a local pub during a weekend trip or from the students navigating the learning curve in the dark room for their photography project.
From camping out in the studio by the fire, giggling all night, to cracking up while doing cold plunges in the pond, to bonding during fun nights out in Temple Bar while visiting Dublin -- she had an absolute blast.
Pros
  • Connection to nature & the incredibly rich culture of Ireland.
  • Building meaningful sense of self through insightful artistic practice, and living in community.
  • Free-spirited fun & exploration in an gently supported environment that affords freedom & independence.
Cons
  • Minimal communication from the program during the session, in terms of updates (but your student keeps you filled in and the program posts lots on Instagram the whole time.)
  • Shipping packages from the U.S. is costly and time consuming, so prepare early and pack wisely.
  • Actually a pro for us, but depending on preference, know that the cohort is small (10-12 participants).
MELISSA
5/5
Yes, I recommend this program

Cow House is not to be missed

A gem in the countryside of Ireland for young creatives~
My daughter recently returned from a autumn Gap year program at Cow House, and I can not recommend it highly enough.

Frank and Rosie's program of art instruction, weekend field trips and studio free time was the perfect combination for my young artist. She learned a ton, an artistic freedom, and got to know Ireland! An extremely well-run program, and I felt like my young adult was in excellent hands for all parts of the experience.

Parents should feel lucky to have their young adults here.

Miri
5/5
Yes, I recommend this program

Lifelong Networks and Connections

My decision to take a gap year came later in my high school career, and while my time spent at Cow House Studios was one semester, it has encompassed everything I wanted and needed within that decision. The culmination of new material, incredibly expansive resources, and self guided practices truly nurtured my soul as an artist. I felt so safe and my practice was uplifted and encouraged by everyone there. Some of my most treasured memories come from simply talking about what it means to be an artist with friends and especially all of my mentors: Rosie, Frank, Roísín, Dee, Sinead, and even Michael (Rosie's dad) whenever he would pop into the studio! :) This community is so connected, and truly feels like family. The depth of history and transformation the space has gone through is so inspiring, and there is so much care within every inch. The library, my room with my roommate who is now like my sister, and the kitchen having long chats with Dee, all feel like a home that will never leave my heart. Every moment I spent in Teach Muc (the clay studio), the darkroom, my studio, and even writing and reading by the fire, nourished my creativity and absolutely taught me how to take care of myself as an artist, and have patience with my practice. Above all else, the connection with the land and environment I was able to foster changed my life. I learned how to explore and play again, and the long walks I took exploring the fields, creeks, forests, and mountains solitary and with others absolutely reawakened my inner child. Additionally, the visits to other spaces for artists such as the Red Barn Residency, Workhouse Union, and Blackbird Culture Lab enriched my perspective of correlations between regenerative agriculture, environmental activism, and the arts. The interactions with curators and a wide range of exhibitions were eye opening and have absolutely provided me with a network of artists, activists, and community organizers in which I am so grateful to Rosie and Frank for.

It was a very big deal and investment for my family to send me to Cow House Studios, and words cannot express the gratitude I feel for my time spent there. To say it was life changing would be an understatement; my connection with that space and all of the other communities I was introduced to feel lifelong. I am also incredibly grateful that Cow House offers several scholarships given that it is a fairly small family run business. (Which is another reason why you should support them!) I believe everyone should get the opportunity to experience the freedom, support, and eye opening experiences my time spent there provided me.

What is your advice to future travelers on this program?
You never know who else you will be living with, and I think it's really important to be open minded! You may not connect with everyone and that's okay. I think it teaches you how to compromise and communicate with people you may otherwise not, which I think is an incredibly important skill. Everyone comes from different perspectives and home lives, and because this style of living is so communal it's really important to respect and listen to one another. (For example, make sure everyone is included in conversations at meals or go out of your way to help someone clean if they have a lot of work to do.) It takes work to keep a space running when there are a lot of people living together, so at the end of the day help each other! :)
Pros
  • Freedom to work on work independently!!
  • All of the connections I made!
  • The amount of resources such as book making materials, the darkroom, oil paints, and especially talking through different ideas with staff.
Fiadh
5/5
Yes, I recommend this program

Thank you Cow House Studios!

Cow House Studios was an incredible experience. I had never experienced anything like it. I got the fortunate experience of getting the scholarship to cow house, and once I got it I felt incredibly lucky and excited, as I had never done anything like that in my life. If you are considering applying for the scholarship, go for it! Its definitely worth it and you never know, you might just get accepted! The staff, the food, accommodation was absolutely wonderful as well as my art improving tremendously. I had great conversations with my mentor Roisín and the staff at cow house such as Rosie, Frank and Sal were all such interesting people with amazing artwork and incredible lives. I absolutely loved taking trips around Ireland to different galleries and places. As an Irish person I never actually visited so many of the exhibitions and it really opened my eyes to the amazing art and landscapes on offer in our country. I am now prepping my portfolio for art school with tons of cow house paintings and pieces included, it was so unbelievably helpful. Cow House Studios also encouraged me to actually pursue art as a career, as initially it wasn’t my plan. The nature there was absolutely stunning, and I loved how rural it was! I loved swimming in the pond every single day. I cherish all the amazing friends I met there. So many people encouraged me to be myself, as expressing the artist and cooler side in you is NOT common where I am from lol. Being exposed to so many people like me made me realise how important self expression is and I really became my true self surrounded by nothing but nature, people and art. Funnily enough, my ex of two years horrifically broke up with me while away from home. I’ll never forget how kind everyone was to me, the support I got was absolutely unreal. I just know if I wasn’t at cow house the break up would have been so much harder. The kindness and support they showed was so strong and it just pretty much sums up how cow house is lol. After returning home from cow house I honestly felt like a new person. I also celebrated my 18th birthday at cow house and everyone was seriously so kind about it and bought me presents, it was the sweetest. Thank you so much to everyone at cow house! sending good luck to anyone applying for the scholarship this year, and if anyone needs to reach out for me for advice on how I got in pls do! My instagram is fiadhxd <3

What was the most surprising thing you saw or did?
I was obsessed with swimming in the pond every single day no matter the temperature, and I remember one night it was pitch black night outside and raining super heavily (typical for Ireland) , and Roisín brought us to the pond and some of us decided to dive into it during these conditions! It was crazy but so much fun.
Pros
  • Experiencing oil paints for the first time was so much fun
  • Going for walks all the time was amazing
  • I benefitted a lot from the lack of screen time on our phones, although sometimes we used to play roblox on the computers and it was soo fun lol, way better than beinng on phones
Cons
  • I did feel like the programme was more built for American students as there were sooo many and there was no other Irish person and two other Europeans , however we were always included and treated fairly, but ngl there were some moments I felt confused
  • Since I havent been away from family before, I did miss my family and friends and got a bit homesick
  • That it wasn’t even longer! I could do it over and over
Lu
5/5
Yes, I recommend this program

Best Summer Experience!

When I first walked into the studios and living spaces I immediately felt at home. Everyone was so friendly and open - people wanted to connect and make friends as much as they wanted to make art. One of my favorite things about this program was how the days were put together. Everyday had some scheduling but also lots of free time so students could become immersed in the space on their own terms. Whether it was wandering through the woods near Kelly's trees, reading or drawing by the pond, laughing until your sides hurt with your roommates and new friends, or spending hours in the studio working on painting or prints, it was so fun and an unforgettable experience.

Pros
  • All the amazing people I met
  • Made more art than I expected
  • Spent lots of time in nature
Cons
  • Extremely hard to leave such an incredible place!

Programs

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Staff Interviews

These are in-depth Q&A sessions with program leaders.

Rosie O'Gorman

Job Title
Co-Director
Rosie O’Gorman was born and raised in Wexford. She is a mother, an artist, a dedicated teacher, and her ancestral home is now the place where Cow House Studios resides.

Rosie attended the National College of Art and Design in Dublin, receiving her BA in Art and Design Education. From Dublin, she moved to San Francisco where she received her MFA from the San Francisco Art Institute with the support of a Fulbright Scholarship. Her art practice includes drawing, painting, installation and sculpture.

Through Cow House Studios Rosie shares her home, family and her love of art.
Rosie O'Gorman

What is your favorite travel memory?

I always find it hard to pick favourites, but one of my favourite things is when we find a place that we want to return to time and time again with our students as well as with friends and family. I love sharing special spots in my home country but also seeing them with fresh eyes through the experiences of our guests. I am always looking for places that are off the beaten track; seeking authentic experiences that offer a meaningful glimpse into a new place.

A few years ago, I was researching an area named Mizen Head, located on Ireland’s most southerly point in county Cork. Cork has become one of our favourite counties because of its wild natural beauty and food culture. I was interested in traveling all the way to the end of Mizen Head and in my research,a I came across a place called “Three Castle Head.” It sparked my interest, but I found only a little information online. I learned that it was on private land and that the owner was happy to allow visitors to cross through his fields to reach the castle.

We decided to take our next group of summer students to see Three Castle Head. Venturing on the winding and spectacularly beautiful road to Mizen Head, our bus seemed to grow bigger as the road became narrower and narrower. We parked in a small car park and walked uphill towards a farmhouse. We saw a hand-painted sign with an arrow saying” Three Castle Head”. It also reminded us to close the gates to keep the sheep in.

We followed the lightly trodden grass path and hiked up over softly rolling hills; not really sure how many hills we would need to cross in order to reach the castle. When the final hill was climbed, the view that lay before us was utterly magical; we looked down into the valley on DunLough castle. DunLough or Dun a Locha, which means the fort of the lake, was built by Donagh an Aimrice O’Mahoney in 1207. A 20-foot high wall connected the towers all the way from a cliff edge to the lake creating a defensive vantage point. Now the castle stands as a ruin, akin to something from a modern-day fantasy.

This remains one of my fondest memories because of the sense of adventure that we shared with our students; it was as if we had just discovered this very special place together.

How have you changed/grown since working for your current company?

When Frank and I established Cow House, we were both in our late twenties; we had just finished grad school and were embarking on the adventure of renovating the studios and developing our programming. We had very specific things that we needed to focus on, and in the every-day tasks, we had very specific lists of things to do in order to get our space and our programming up and running.

Over the last 12 years, I have come to realize the interconnected nature of everything we do. Initially, it seemed like all the so many little tasks and details were all separate from each other; one a list to be completed. This is not at all the case because, since we carefully consider every aspect of our guests who stay at Cow House, each detail is connected to the whole experience. Students and artists alike come to Cow House ultimately to make art, but every aspect of their experience can nurture their creative process.

Eating delicious meals, laughing around the dinner table, snuggling with the cats, trips to the local village, overcoming a challenge, sharing a pot of tea, jumping in the pond, hiking the mountain for sunrise, or chatting with my Dad who farms the land; all these varied moments can feed a creative and inquisitive mind in making art.

What is the best story you've heard from a return student?

My favourite type of story is one of transformation. We have heard many stories over the years of how transformative the experience has been for students who have participated in our summer program. We often hear these stories months or sometimes years later from the student themselves or on the grapevine from a family member or another student. We learn how their time here changed their life and helped carve a path forward.

It means the world to hear such reflections. As an artist, I understand how challenging and nourishing it can be to make art. Being a teen can be hard; we want to give a voice to their thoughts and concerns. Art is a way to give form and virtue to their experiences of the world.

And so it means a lot to hear about the positive and lasting effect that a few weeks with us can have.

Recently, I was speaking with a student from California who is interested in attending our summer program. She learned about our program from her sister’s friend, Josh. Josh attended our summer program 8 years ago and he is now due to graduate from art college. I asked what she had learned from Josh about our program. Josh told her that his time in Ireland changed his life; it changed how he saw art and how he makes art.

It’s wonderful to recognise the value of a certain moment in time; to see how pivotal a specific experience can be. As an educator, it’s really such a privilege to hear these stories.

If you could go on any program that your company offers, which one would you choose and why?

If I could travel back to speak with my 16-year-old self, I would encourage her to participate in Art on the Farm, our teen summer program.

We welcome all sorts of personalities for the summer, from the confident and outgoing to the introverted and shy. Our students come from different parts of the world, they have varied life experiences, outlooks, and interests. What draws these people together is a desire to make art with a small group of people in a unique rural setting. This gathering of personalities generates an environment of openness and acceptance, where our students take huge strides in making art while learning much about themselves and others along the way.

Art on the Farm provides a valuable way to meet other people who share a love of art. The most important quality in our students is not their experience level, but their desire to participate. This creates wonderful energy in the studio, centered on meaningful exchange and understanding. It's heartwarming to see students open up to each other through their art, and to witness the bonds they create through that shared experience; to see they have found their tribe. Young Rosie would have loved that!

What do you believe to be the biggest factor in being a successful company?

Often, when people being a substantial project, they are following a passion; they have a love for something. Frank, my husband, and I love art; we value its importance in the world.

We also love teaching and creating a space where opportunities for exchange and new ways of thinking are presented to our students. We love seeing the kernel of an idea develop and mature into a realised work. We love seeing how art allows students to connect with themselves and the world around them.

This genuine passion for art and education is at the core of what we do, but in the pursuit of building a successful program, another equally important factor is the care we put into every detail of what we do at Cow House. It’s one thing to love what you do, but you are not going to love every aspect of what you have to do to make a company succeed. But care needs to go into everything; this care and attention is reflected at every level of the experience and creates something very special.

Professional Associations

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